295 posts
Artist Features & Interviews
From Marc Almond to Robbie Williams via The Lemon Trees, Guy Chambers has quietly masterminded countless Classic Pop moments over the past 30 years. Now the celebrated songwriter is about…
Godfathers of Pop: Andy Bell
Andy Bell’s fifth solo album sees the Erasure singer once again stepping out from radio-friendly synth-pop into the darker territory of his alter-ego Torsten, a semi-immortal polysexual destined to love…
Bryan Adams Interview: ‘I don’t believe in endings at all. I just prefer to keep going’
In 2019, on the eve of his 60th birthday, Bryan Adams sat down with Classic Pop to talk about about his 40 years in the music business… Ever since his…
Howard Jones Interview: The Transformed Man
Howard Jones is returning to his roots with his new synth-pop album Transform, and with it, he’s produced some of his most memorable tunes in years. With a UK and…
Prince: Giving It All Away
The new posthumous Prince album Originals is the clearest insight so far into just how varied his mind was, able to write for musicians from Kenny Rogers to The Bangles…
Godfathers of Pop: Kirk Brandon
Kirk Brandon rose to fame as the frontman of post-punk rockers Theatre Of Hate, who enjoyed their biggest hit with Do You Believe In The Westworld in 1982. He went…
Godmothers of Pop: Kiki Dee
Kiki Dee – born Pauline Matthews, in Bradford – began her recording career on Fontana as a 16-year-old in 1963. She went on to become the first female British artist…
Godfathers of Pop: Dr Robert
Bruce Robert Howard was nicknamed Dr Robert, after the Beatles song of that title, while he was still at school in King‘s Lynn. After emigrating to Australia with his family…
Godfathers of Pop: Junior Giscombe
Junior Giscombe cut his teeth as a backing vocalist with Linx before enjoying success as a solo artist with Mama Used To Say, a 1982 hit on both sides of…
Hall & Oates: The self-proclaimed jackasses tell all…
Back to make your dreams come true with an arena tour, Daryl Hall & John Oates made selling 40 million albums look and sound effortless. So why are they refusing…