Wendy James’ renaissance is one of the happiest recent pop rebirths. At their peak, her pin-up status meant Transvision Vamp were undervalued: hits like I Want Your Love and Baby…
Classic Pop magazine announcement – we’re back!
We have some great news for you! After a brief sojourn while we sheltered from the vagaries of lockdown and closed retailers, Classic Pop is returning as a print…
New Releases and Reissues: June 5
This week we’re taking a look at some of the releases you might have missed during lockdown, including a triumphant return from a New York band, and some anticipated reissues……
New album review: The Vapors – Together
There’s something pleasantly Spinal Tap about this: for the first time in 34 years, three of the four Vapors take the stage to perform their biggest hit for a charity…
Reissues review: Bee Gees vinyl albums series
It’s easy to forget just how prolific Bee Gees were. They’d already released six albums by Best Of Bee Gees in 1969. It’s a curio now, as obviously so many…
New album review: The Strokes – The New Abnormal
It’s quite something to sound as insouciant as The Strokes often do, yet so animated, especially 20 years after they exploded onto the scene as privileged pretty boys. Their sixth…
Reissue review: Sugar – Copper Blue
The singer with grunge pioneers Husker Du, Bob Mould was an influence on Nirvana. As Sugar’s name implies, Mould’s next band were a poppier proposition. The trio’s debut, Copper Blue…
Reissue review: Everything But The Girl – Temperamental
Everything But The Girl’s final album, 1999’s Temperamental followed the polished clubbing template of its superb predecessor, Walking Wounded. Less successful second time out, most of the drum & bass…
Lovechild of the Haçienda: M People interview
As M People celebrate their phenomenal 90s run with a career-spanning boxset, Classic Pop sits down with Mike Pickering and Paul Heard – the creative core behind the big voice…
Reissue review: Laura Branigan – Self Control
As Michael Bolton recalled in Classic Pop last issue, he and Diane Warren both wrote their first big hits for Laura Branigan’s 1983 album Branigan 2 – How Am I…