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Godfathers of Pop: Kirk Brandon
Kirk Brandon rose to fame as the frontman of post-punk rockers Theatre Of Hate, who enjoyed their biggest hit with Do You Believe In The Westworld in 1982. He went…
Godmothers of Pop: Kiki Dee
Kiki Dee – born Pauline Matthews, in Bradford – began her recording career on Fontana as a 16-year-old in 1963. She went on to become the first female British artist…
Godfathers of Pop: Dr Robert
Bruce Robert Howard was nicknamed Dr Robert, after the Beatles song of that title, while he was still at school in King‘s Lynn. After emigrating to Australia with his family…
Godfathers of Pop: Junior Giscombe
Junior Giscombe cut his teeth as a backing vocalist with Linx before enjoying success as a solo artist with Mama Used To Say, a 1982 hit on both sides of…
Classic Pop Presents Depeche Mode is Now On Sale!
Classic Pop Presents Depeche Mode – Synth-pop Pioneers Buy cover one online here Buy cover two online here Buy your complete fan pack here Download your digital edition here Also…
Hall & Oates: The self-proclaimed jackasses tell all…
Back to make your dreams come true with an arena tour, Daryl Hall & John Oates made selling 40 million albums look and sound effortless. So why are they refusing…
Review: Suzi Quatro – No Control
Since quoting people out of context is all the rage, let’s take a line from Suzi Quatro’s 17th album and wilfully misinterpret it. “I’m a rolling stone,” she claims on…
Review: Edwyn Collins – Badbea
If you’ve seen 2014’s deeply moving documentary, The Possibilities Are Endless, you’ll understand the struggles Edwyn Collins faced following his two 2005 cerebral haemorrhages. If you’ve looked at his discography,…
Reissue: Ian Brown – Unfinished Monkey Business
It’s possible rock history has witnessed a more precipitous decline than the drop-off in quality between The Stone Roses’ zeitgeist-setting self-titled 1989 debut and their dreadful 1994 follow-up, Second Coming.…
Reissue: Buzzcocks – A Different Kind Of Tension/Singles Going Steady
Buzzcocks’ simplicity was their genius that became their straitjacket. By their third album, 1979’s A Different Kind Of Tension, Pete Shelley was chafing against the restrictions of the punk-pop formula…