Posts by tag
Classic Pop
Bananarama have announced their first new album in a decade, In Stereo, as well as a series of intimate shows across the UK. For the past three decades, Bananarama’s Sara Dallin…
One Hit Wonder: Air Supply – All Out Of Love
There have probably been thousands of soft-rock songs about pain and loss, and Air Supply’s contribution to this much-maligned genre was an enormous worldwide hit in 1980. The Australian band…
Review: Marianne Faithfull – Negative Capability
Marianne Faithfull’s still only 71, but anyone who saw her touring recently will be aware of her ailments. She spends much of each show sitting regally in a throne-like chair,…
Superfan: Mute Records – Dennis Yarwood
Devoted fans show us their collections and pop memorabilia. In this edition of Superfan, Dennis Yarwood from Flixton, Manchester shows us his Mute Records stash… Q When did you first become…
Review: The Police: Every Move You Make: The Studio Recordings
Only an accident of birth made The Police a New Wave band. Sting was a sharp, slick songwriter; Andy Summers had hung with Hendrix and strummed with Soft Machine and…
80s post-punk band Maximum Joy return with new music
Seminal 80s post-punk band Maximum Joy return with new music after a rebrand… Meet MXMJoY. Birthed from the seminal 1980s post-punk band Maximum Joy, MXMJoY is the dramatic reimagining by…
The Lowdown: Michael Jackson
When Michael Jackson joined his brothers in The Jackson 5, a star was born. As a solo artist, he went on to become one of the world’s most recognisable stars…
Review: Nile Rodgers & Chic – It’s About Time
In the five years since Daft Punk reminded everyone how exceptional Chic were with the ubiquitous Get Lucky and parent album, Random Access Memories – to which Nile Rodgers also…
Only You: Yazoo interview
With Only You, Yazoo became one of the most popular synth-pop bands of the 80s. Classic Pop looks back with Vince Clarke and Alison Moyet. By Wyndham Wallace Vince Clarke pulls…
Review: Bronski Beat – The Age Of Consent
This expanded version of Bronski Beat’s Jimmy Somerville-showcasing hit 1984 album reveals a vital and politicised, yet upfliting, synth-pop triumph “My purpose was truth,” said Jimmy Somerville recently, looking back…