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Reviews
When De Lux’s debut, Voyage, was released in 2014, Classic Pop’s own Paul Lester pointed out elsewhere that, though it shared qualities with Daft Punk’s Random Access Memories, it would…
Alexander O’Neal – Hearsay30 review
Questions, questions, questions… Is this celebration of 80s soul legend O’Neal’s second album a reissue or re-recording? Did the 1987 version seriously go three times platinum in Britain? And why…
Fleetwood Mac – Fleetwood Mac review
This is a reissue of the band’s 1975 second eponymous album, their first to feature the duo Lindsey Buckingham and Stevie Nicks. It signalled the end of Fleetwood Mac the…
Rhye – Blood review
As the soothing sounds of Rhye’s second album float past, plenty of comparisons come to mind. Take The xx, whose disdain for unnecessary ornamentation can be heard in Blood’s comforting,…
Craig David – The Time Is Now review
Remember when, a decade ago, Craig David was the punchline to a joke on a Channel Four TV show? You may need a reminder: the programme’s title came from David’s…
Go Kart Mozart – Mozart’s Mini-Mart review
“I do not think of myself as a musician, more like a painter working away in total isolation, unknown and without success.” Thus run the liner notes to the fourth…
Minnie Riperton – Perfect Angel review
Minnie Riperton was a progenitor of what might be termed “hippie soul”… jazzy, psych-inflected, woozy, loose in terms of structure. And Perfect Angel (1974) was her finest moment. The former…
tUnE-yArDs – I Can Feel You Creep Into My Private Life review
Not only are Tune-Yards now a duo, with bassist Nate Brenner granted official membership by Merrill Garbus, but they’ve also dropped their aggravating tUnE-yArDs typography. The lo-fi trappings of yore…
Revolutionary Spirit – The Sound of Liverpool 1976-1988 review
Revolutionary Spirit is a companion piece to 2017’s Manchester: North Of England 7CD compilation. This 5CD bookset covers a period during which Liverpool demonstrated it had a lot more to…
The The – Trilogy…The Inertia Variations review
Described in the recent documentary The Inertia Variations as the “biggest skiver on the planet”, Matt Johnson may have kept a low profile since 2000’s Naked Self, but he hasn’t…